![]() ![]() There's also a chance that they don't respond to you, don't give you the time of day, or reject your feature script or television concept entirely. Be aware that producers may love your story or core concept yet decide that they don't love your script. Contests and hosting sites such as The Blacklist do charge but run the other way if a producer asks you to pay anything. Some final words of advice: legitimate industry professionals will never require a submission fee, entry fee, or any other kind of paid requirement to read your content. A quick Google search should reveal many production companies who will accept original material, or at least the windows in which they will review movie scripts and television pitches. If a producer says they do not accept query letters, unsolicited pitches, or screenplay submissions, heed their warning! They mean it, and you may burn a bridge by trying to submit your film script anyway. In some cases, you may be able to submit your script directly to a production company or a producer who has indicated they'll accept unsolicited screenplays without an agent attached, or who has an open solicitation (often for a specific kind of script). Production Companies Accepting Scripts Directly From Screenwriters Note, though, that competition here is fierce, as many professional screenwriters also use this portal to get industry insiders' eyes on their scripts and to gain some market validation that their script is worthy of production. You can post your script to the website for review for a fee of $25 per month. The Blacklist pegs itself as a website “where filmmakers and writers meet,” with portals for screenwriters to submit their PDF file screenplay and for film & TV professionals to discover them. According to the website, BBC promises to read at least the first 10 pages of your script, then offer up development opportunities to the best and brightest. In addition to offering up resources for writers, BBC Writers Room also hosts a portal for writers to submit content during two open windows per year to The Script Room. A couple platforms to consider include: BBC Writers RoomīBC Writers Room works with and develops new and experienced writers across genres. In addition to pitching and entering contests, there are several online platforms for uploading your script for consideration, whether it be feedback or discovery you’re looking for. Only writers who do not have a broadcast credit as a television writer or theatrical release as a feature film writer may apply (although produced short films – 20 minutes or less – are exempt).Submit Your Screenplay to an Industry Platform, List, or Production Company ![]() HOWEVER, IF YOU ARE A WRITER WHO IDENTIFIES AS DISABLED, YOU ARE WELCOME TO SUBMIT THE SAME SCRIPT A SECOND TIME. NOTE: YOU CANNOT SUBMIT THE SAME SCRIPT YOU HAVE SUBMITTED IN PREVIOUS YEARS. H OW TO APPLY: Please click on the following link to applyĬhannel 4 Screenwriting - Philip Shelley, Script Consultant (.uk) Writers must ensure before entering that they are available to attend both these weekends (in London) and are free to write at least two drafts of an original one-hour television drama between 22nd January and 1st June 2023. 2023 Cohort - Applications now closedĭATES: 21st & 22nd January 2023 and 10th & 11th June 2023 We’ll let you know within six months of delivery whether we intend to exercise this option.Ĭlick here to see what past successful 4Screenwriting participants got up to. The first option on this should be granted to Shelley Productions for Channel 4 to acquire all rights. You’ll be paid for taking part and producing two drafts of a one-hour script. The course also includes a drinks evening at our offices in London where you can meet industry producers, script editors, literary agents and other useful people to know. We’ll finish with a workshop, course overview and a look at our specific requirements in terms of series and serial television drama. This will see actors read a section of each script on the first day, followed by discussion and analysis on the second day. ![]() You’ll then go on to develop your script, submitting a second draft in time for the second weekend. Time will also be set aside to chat through your ideas with our assigned script editor. The first offers the chance to get the inside track on writing for television from expert industry figures. There will be two key weekends in the course. You’ll use them to craft an original one hour drama or drama serial we option your script for six months and set up a meeting with our Drama Commissioning team to discuss other opportunities to work with us. Workshops with other leading industry professionals. The expertise and guidance of your own script editor. A series of lectures from high-profile writers, producers and directors. ![]()
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